Marioni's Liquid Light at the Phillips

December 2011 Karen Wilkin's review of "Eye to Eye: Joesph Marioni at the Phillips"

For review click HERE

A New Approach To Owning a Gallery

Paul Rodgers explains his new approach to owning a gallery in his interview with Morgan Labar published in Luxe Immo, Monaco.

To read full article: http://www.luxe-immo.com/interview-en-297-paul-rodgers.html

Joseph Marioni at Phillips Collection

90 Years of New: Joseph Marioni

20 Oct 11 – 29 Jan 12

Joe Diebes in WhiteHot Magazine

Joe Diebes in WhiteHot Magazine

Joe Diebes' "Chronology" Exhibition featured in WhiteHot Magazine

"Joe Diebes' show, CHRONOLOGY show at Paul Rodgers / 9W fuses his background as a composer with a unique conceptual approach to video and works on paper. In the video installation, Scherzo, short film clips of a virtuoso cellist are edited by a computer in real time to produce a frenetic and infinitely suspended musical climax. Also in the exhibition are several works that use music notation as a metaphor for living in a perpetual present. Curator and producer, Michele Thursz talks with Diebes about this body of work."

To read the complete article, click here.

Modern vs. Modernist - Art in America

Art in America - December 2010

Letter to the Editor - Modern vs. Modernist

An exchange between Paul Rodgers and Saul Ostrow

To read the letter, click here.

Simon Hantai -Art in America

Art in America - September 2010

Review: New York, Simon Hantaï at Paul Kasmin Gallery

By Saul Ostrow

To read the review, click here.

Joe Diebes in The Village Voice

Joe Diebes' "Chronology" Featured in "Best in Show" by Robert Shuster.




"It may be one of the most remarkable performances you'll ever enounter of Bach's Six Suites for Unaccompanied Cello, but performer Joe Diebes isn't making a sound."

To read the complete review, click here.

Simon Hantai - Lana Turner: A Journal of Poetry and Opinion

"Letter From New York" by Ben Lerner

"There are two canvases hanging at Paul Rodgers / 9W gallery in New York that might cause you to rethink the last half-century or so of painting. Believe me, when I went to Chelsea to see them I didn’t intend to make any grand claims. But the work of Simon Hantaï, who died in 2008, can inspire such pronouncements."

To read the entire article, click here.