Paul Rodgers/9W

(Re)discovering Simon Hantai, And A Possible Opportunity

2012-04-17T10:36:00.001-04:00

Judith H. Dobrzynski's article on Simon Hantaï in her blog for Real Clear Arts. Click here for full article

Joseph Marioni’s “Red Painting” to AMoA

2012-04-13T13:12:00.000-04:00

To Read the whole article click here

National Gallery Aquires Simon Hantaï Panting

2012-04-13T12:37:00.000-04:00

Art & Design By CAROL VOGELPublished: April 5, 2012 Breaking news about the arts, coverage of live events, critical reviews, multimedia and more.· Go to Arts Beat » A sortable calendar of noteworthy cultural events in the New York region, selected by Times critics. NATIONAL GALLERY ADDITION Every year at the National Gallery of Art in

More Ado About Painting

2012-04-13T12:27:00.000-04:00

Art in America - April 2012 Letter to the Editor - More Ado About Painting An exchange between Paul Rodgers and Raphael Rubinstein To read the letter, click here.

The Brooklyn Rail: Joseph Marioni

2012-02-02T14:28:00.005-05:00

February 2012: Robert Morgan's review of Joseph Marioni's solo exhibition at the Phillips Collection For review click HERE

Marioni's Liquid Light at the Phillips

2011-12-03T13:04:00.004-05:00

December 2011 Karen Wilkin's review of "Eye to Eye: Joesph Marioni at the Phillips"For review click HERE

A New Approach To Owning a Gallery

2011-10-07T11:44:00.004-04:00

Paul Rodgers explains his new approach to owning a gallery in his interview with Morgan Labar published in Luxe Immo, Monaco.To read full article: http://www.luxe-immo.com/interview-en-297-paul-rodgers.html

Joseph Marioni at Phillips Collection

2011-06-01T13:44:00.003-04:00

90 Years of New: Joseph Marioni20 Oct 11 – 29 Jan 12

Joe Diebes in WhiteHot Magazine

2010-12-17T16:21:00.002-05:00

Joe Diebes in WhiteHot MagazineJoe Diebes' "Chronology" Exhibition featured in WhiteHot Magazine"Joe Diebes' show, CHRONOLOGY show at Paul Rodgers / 9W fuses his background as a composer with a unique conceptual approach to video and works on paper. In the video installation, Scherzo, short film clips of a virtuoso cellist are edited by a computer in real time to produce a frenetic and

Modern vs. Modernist - Art in America

2010-12-07T15:28:00.003-05:00

Art in America - December 2010Letter to the Editor - Modern vs. ModernistAn exchange between Paul Rodgers and Saul OstrowTo read the letter, click here.

Simon Hantai -Art in America

2010-12-07T15:14:00.008-05:00

Art in America - September 2010Review: New York, Simon Hantaï at Paul Kasmin GalleryBy Saul OstrowTo read the review, click here.

Joe Diebes in The Village Voice

2010-11-17T16:44:00.003-05:00

Joe Diebes' "Chronology" Featured in "Best in Show" by Robert Shuster. "It may be one of the most remarkable performances you'll ever enounter of Bach's Six Suites for Unaccompanied Cello, but performer Joe Diebes isn't making a sound."To read the complete review, click here.

Simon Hantai - Lana Turner: A Journal of Poetry and Opinion

2010-11-12T11:00:00.003-05:00

"Letter From New York" by Ben Lerner"There are two canvases hanging at Paul Rodgers / 9W gallery in New York that might cause you to rethink the last half-century or so of painting. Believe me, when I went to Chelsea to see them I didn’t intend to make any grand claims. But the work of Simon Hantaï, who died in 2008, can inspire such pronouncements."To read the entire article, click here.

Peter Sacks - Recent Review

2010-10-29T11:22:00.002-04:00

"Sampler and Sediment: The Art of Peter Sacks"by Daniel TiffanyWade Wilson Art: October 29 - December 11 2010"For the coolness of these paintings is not a matter of technique or cognition but a mapping of the erosion of feeling—its sediments and strata. The poignancy of these images, entirely at odds with their scale and abstraction, evokes a world that is captive yet resistant to the

Peter Sacks at Wade Wilson Gallery

2010-10-29T11:14:00.003-04:00

Peter Sacks: Recent PaintingsOctober 29 - December 11, 2010Wade Wilson Art, in association with Paul Rodgers / 9W presents Peter Sacks' "Recent Paintings"Reception Friday October 29, 2010 from 6 - 8pmWade Wilson Art4411 Montrose Blvd.Suite 200Houston, TX 77006www.wadewilsonart.comTo visit the artist's website, click here.

Joseph Marioni at Kolumba

2010-10-29T11:12:00.000-04:00

Joseph Marioni at Kolumba: Art Museum of the Archdiocese of Cologne October 1, 2010 throughJuly 31, 2011 Joseph Marioni

Joseph Marioni on Robert Ryman at The Phillips Collection

2010-09-02T12:29:00.003-04:00

The Specific Performance of Robert Ryman Joseph Marioni, June 24, 2010 "Robert Ryman moved to New York City in 1952 with a tenor saxophone and no formal training in the visual arts. Perhaps because at the time New York was the center of the art world or simply it was to escape the trappings of Ryman Hall in Nashville, Tennessee." To read the complete lecture, Click here

Simon Hantai - ARTnews Magazine

2010-07-06T15:33:00.002-04:00

June 2010 - ARTnews MagazineBy Hilarie M. Sheets"If Hantai's technique eliminated the gesture of the hand and introduced the element of chance, it hardly curtailed the artist's dazzling painterly effects"To read the entire article, click here.

Simon Hantai - The New York Times

2010-07-06T12:53:00.004-04:00

Art Review: Commentary That's Both Visual and VocalBy Karen RosenbergJuly 1, 2010"At this stage of the exhibition, the dearth of painting becomes hard to ignore. It’s remedied soon enough, with dueling stripes by Daniel Buren and Agnes Martin and a mesmerizing multicolored abstraction by Simon Hantai. Let the others have their Minimalism and institutional critique; the only theory in Mr.

Joseph Marioni on Robert Ryman at The Phillips Collection

2010-07-01T11:29:00.005-04:00

Paul Rodgers / 9W is pleased to announce:A Lecture by Joseph Marioni:"Artist's Perspective: The Specific Performance of Robert Ryman"June 24, 20106:30pmThe Phillips Collection1600 21st Street, NWWashington, DC 20009To read Joseph Marioni's complete lecture, click here.

Simon Hantai - Time Out New York

2010-04-20T13:42:00.003-04:00

APRIL 17, 2010TIME OUT NEW YORKThe French Conceptualist’s paintings are surprisingly gestural, despite the absence of traditional artistic touch. By Anne Doran Read more: http://newyork.timeout.com/articles/art/84596/simon-hantai-at-paul-kasmin-gallery-art-review#ixzz0lfDfGIYa

Simon Hantai - Artnet Magazine

2010-04-20T13:30:00.005-04:00

APRIL 19, 2010Artnet MagazinePLIAGE by Joe Fyfe"In pliage, the painting's canvas surface, previously treated with poetic delicacy, was instead subjected to a methodical violence: scattering blobs of black paint over its face, letting it dry, crunching it up, painting on it more before it was mounted. Most importantly, pliage became a kind of painting method that could be

SImon Hantai - Bloomberg.com

2010-04-15T13:45:00.009-04:00

MARCH 30, 2010French Dropout Hantai's Art Goes on Sale in Galleries: ReviewBy Katya KazakinaTo read more, please click here

Eye on Culture: Simon Hantai

2010-04-14T13:28:00.005-04:00

THE NEW YORKERMarch 29, 2010 Eye on Culture: Martine Fougeron on Simon Hantai Read more: http://www.newyorker.com/online/blogs/photobooth/2010/03/martine-fougeron-simon-hantai.html#ixzz0l63sdPl8

2010-02-12T14:31:00.005-05:00

Artforum Magazine has published a review by Rosalind Krauss of Peter Sacks' "Painting" exhibition in their February 2010 issue."Peter Sacks: Paul Rodgers / 9W" by Rosalind Krauss"These textual scrolls overlie a mixture of fabrics and corrugated board, the whole given a luminous sheen by washes of white acrylic. Their surfaces radiate the character of monochromes steamrolling over the thickened