Simon Hantai - The New York Times
Art Review: Commentary That's Both Visual and Vocal
By Karen Rosenberg
July 1, 2010
"At this stage of the exhibition, the dearth of painting becomes hard to ignore. It’s remedied soon enough, with dueling stripes by Daniel Buren and Agnes Martin and a mesmerizing multicolored abstraction by Simon Hantai. Let the others have their Minimalism and institutional critique; the only theory in Mr. Hantai’s 'Untitled (Suite ‘Blancs’),' made by painting exposed parts of a crumpled canvas, is string theory."
To read the entire article, please click here.
By Karen Rosenberg
July 1, 2010
"At this stage of the exhibition, the dearth of painting becomes hard to ignore. It’s remedied soon enough, with dueling stripes by Daniel Buren and Agnes Martin and a mesmerizing multicolored abstraction by Simon Hantai. Let the others have their Minimalism and institutional critique; the only theory in Mr. Hantai’s 'Untitled (Suite ‘Blancs’),' made by painting exposed parts of a crumpled canvas, is string theory."
To read the entire article, please click here.
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