Judit Reigl Featured on NYT
The New York Times
A Giant Among Art Fairs Spreads Its Reach
By SOUREN MELIKIANPublished: March 15, 2013
"At the Galerie Berès, some will discover an unexpected connection between two great contemporary artists. In a monumental panel signed by Judit Reigl around 1982-1984, the proportions and rhythm of vertical bands of trailed paint call to mind some “Abstract Pictures” done by Gerhard Richter between the mid-1980s and the late 1990s. Ms. Reigl’s gray and white tonalities and the texture of her composition are different, but it is hard to escape the feeling that the 80-year old Mr. Richter and the 90-year-old Ms. Reigl are kindred spirits."
As published on New York Times on March 15, 2013
A version of this article appeared in print on March 16, 2013, in The International Herald Tribune.
A Giant Among Art Fairs Spreads Its Reach
By SOUREN MELIKIANPublished: March 15, 2013
"At the Galerie Berès, some will discover an unexpected connection between two great contemporary artists. In a monumental panel signed by Judit Reigl around 1982-1984, the proportions and rhythm of vertical bands of trailed paint call to mind some “Abstract Pictures” done by Gerhard Richter between the mid-1980s and the late 1990s. Ms. Reigl’s gray and white tonalities and the texture of her composition are different, but it is hard to escape the feeling that the 80-year old Mr. Richter and the 90-year-old Ms. Reigl are kindred spirits."
As published on New York Times on March 15, 2013
A version of this article appeared in print on March 16, 2013, in The International Herald Tribune.
posted by Paul Rodgers at
24.4.13
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